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發表於 2011-9-20 13:08 | 只看該作者

世界經典回顧2011 - 差利•卓別靈與巴斯達•基頓

本帖最後由 老鼠愛漫遊 於 2011-9-20 02:23 PM 編輯

世界經典回顧2011 - 差利•卓別靈與巴斯達•基頓
Repertory Cinema 2011 : Charles Chaplin & Buster Keaton



差利•卓別靈
電影史上第一位國際巨星，差利•卓別靈爵士，KBE(1889-1977)在倫敦出生，自幼在劇場打滾，表演生涯長達七十年。1910年，21歲的差利來到美國，在美國巡迴表演期間，被基斯東片廠發掘，於1914年初登銀幕。他以流浪漢形象迅速走紅，並很快身兼編、導、演，以至製片、配樂，全面掌控創作的各方面。1919年，差利和格里菲斯、瑪麗•璧馥和道格拉斯•菲濱氏四位早期電影重量級人物組成了聯美影業公司，保持獨立製作人的自主權，以抗衡勢力日益膨脹的荷李活大公司。他以爐火純青的喜劇感和電影技巧，把浪漫愛情、社會、政治批判種種元素結合，拍出了《淘金記》(1925)、《城市之光》(1931)、《摩登時代》(1936)、《大獨裁者》(1940)等不朽經典，編、導、演以至配樂皆能的差利，可能是默片時代最成功的電影人。

巴士達•基頓
1895年出身於雜技表演家庭，三歲開始和父母登台演出，冷面笑匠巴士達•基頓自幼與危險動作為伴，練就了一副驚人的身手。他被「肥佬」艾賓高發掘入電影行，先是做他的拍擋，然後自立門戶，在1920至1928年間，自編自導自演，獨立拍攝了三十部長短喜劇，其中《小福爾摩斯》(1924)、《待客之道》(1923)及《將軍號火車》(1926)等，都成為了影史上的經典。基頓的電影不重人物感情，而是以驚人的奇觀及特別的影像來製造喜劇效果，他往往要親身上陣，冒著生命危險演出特技動作，和巨大的機械，如火車、汽船，或是自然現象，如旋風、洪水對抗，在銀幕上創造震撼的效果。他令人目瞪口呆的動作場面，與石磈般冰冷、不動如山的面部表情配合，讓人忍俊不禁外，更使他擠身最偉大的特技演員之列。

神經六（夏勞•哀）
夏勞•哀，又名「神經六」，與差利和基頓並列三大笑匠的默片演員。生於1893年，自幼參與劇場演出，於1913年開始拍電影，至1947年總共演出超過二百部電影。在銀幕上他以戴眼鏡的鄰家男孩形象示人，近於日常生活的角色使他表演的危險動作更讓人捏汗。他的代表作包括《平安是福》(1923)、《新鮮人》(1925)、《小兄弟》(1927)。



Charles Chaplin
Sir Charles Spencer Chaplin, KBE (1889-1977), the first ever international star in the history of film, was born in London. Starting early in the entertainment world, Chaplin had a working life that spanned over 70 years. In 1910, the 21-year-old Chaplin went to the United States where he toured with a drama troupe and his talent was soon discovered by Keystone Film Company. After making his first film appearance in 1914, Chaplin gained fame rapidly with his image of a tramp. In a short time, he assumed the roles of scriptwriter, director, actor, producer and composer, mastering all areas of filmmaking. In 1919, together with D.W. Griffith, Mary Pickford and Douglas Fairbanks, the heavyweights in the early cinematic age, Chaplin formed United Artists in order to maintain the autonomy of independent filmmakers and to contend with the Hollywood studios which were growing bigger and bigger. With his acmic sense of humour and cinematic skills, he combined romantic love as well as social and political criticisms to make immortal classics such as The Gold Rush (1925), City Lights (1931), Modern Times (1936) and The Great Dictator (1940). Proficient at scriptwriting, directing, acting and even composing, Charles Chaplin might very well be the most successful filmmaker in the silent film era.

Buster Keaton
Born into a vaudeville family in 1895, Buster Keaton began performing with his parents at the age of three. Nicknamed "The Great Stone Face", the comedian had been doing dangerous feats since childhood and built up consummate acrobatic skills. He was introduced into the film industry when Roscoe "Fatty" Arbuckle discovered his talent. After partnering with Arbuckle for some time, Keaton turned independent and wrote for, directed and acted in his own films from 1920 to 1928. He made 30 short and feature-length comedies during this period, Sherlock Jr. (1924), Our Hospitality (1923) and The General (1926) were some of the classics. Keaton's films are not renowned for the depiction of emotions, but are spectaculars of stunts and special images with comic effects. In order to create astounding effect on the screen, he performed most of the feats in person and risked his life to fight enormous machines such as train or steamboat, or natural phenomena such as tornado or flood. The awe-inspiring action scenes, coupled with his stoic, deadpan expression, were hilarious and made him one of the greatest stuntsters in history.

Harold Lloyd
Harold Lloyd ranks alongside Charles Chaplin and Buster Keaton as one of the most popular and influential comedians of the silent film era. Born in 1893, Lloyd started early in acting when he was a child. He entered the film industry in 1913, and had made over 200 movies until 1947. On the silver screen, he was always a neighbourhood boy wearing glasses. Such an image of an ordinary person made the daredevil physical feats he performed even more hair-raising. Some of his representative works are Safety Last! (1923), The Freshman (1925) and The Kid Brother (1927).

官方網頁：http://www.lcsd.gov.hk/ce/Cultur ... c/2011rc_index.html

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差利•卓別靈 Charles Chaplin

狗的一生 A Dog's Life

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Edna Purviance, Dave Anderson
1918 / USA 美國 / BW 黑白 / 40分鐘 min / 35mm ( 默片, 附音樂及英文插入字幕 Silent with music and English intertitles )

差利演的流浪漢生活潦倒，露宿渡日，還不時被人欺壓。他同病相憐地救回小狗，又愛上舞廳的小歌女，只可惜自身難保愛莫能助。幸得機靈小狗找到一筆横財，更幫忙擊退壞人，讓流浪漢和小歌女過上幸福的田園生活。差利為第一國家電影公司拍的第一部作品。除了和狗合作外，這也是差利除編、導、演、製之外，還兼任配樂的作品。
A kindhearted down-and-out tramp saves a poor puppy out of compassion, but can't help his beloved sing-song girl. However, the puppy pays him back by discovering a fortune and helps him to fend off his tormentors. Chaplin's first work with First National Pictures and he also composed the music for the film.

2/9(FRI)7:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
10/9(SAT)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

從軍記 Shoulder Arms

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Edna Purviance, Sydney Chaplin
1918 / 美國 USA / 黑白BW / 46分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

差利當兵自然烏龍百出，在戰壕中歷盡飢寒、水淹、砲彈、毒氣，生活苦不堪言。但烏龍小兵陰差陽錯建大功，闖入敵陣，俘虜了敵軍司令，更贏得法國村姑的芳心。差利改變戲路拍「戰爭片」，為英美軍隊宣傳，結果成為當時最成功的作品，叫好又叫座。
In the trench, Chaplin has experienced hunger, flooding, bombs, gas and all the unimaginable hardships. But he bumped his way behind enemy lines, captures the enemy's commander and wins the heart of the French country girl. This war effort for the Allies became Chaplin's most successful work at that time.

2/9(FRI)7:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
10/9(SAT)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

光明面 Sunnyside

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Edna Purviance, Tom Wilson
1919 / 美國 USA / 黑白 BW / 34分鐘 min / 35mm (默片，附音樂英文插入字幕 Silent with music and English intertitles)

夢幻的田園牧歌生活，新鮮雞蛋由母雞直接下在煎鍋，鮮奶由乳牛直送餐桌。差利演的農場小子在鄉間旅店工作，和美麗的村姑相戀，過著幸福的生活，直至一天，有個城市小子來到這裏。除了他擅長的默劇表演，並和各種動物大演對手戲外，差利還加插了大量的追逐鬧劇場面，和當時其他默片笑匠一別苗頭。

Chaplin lives on a dream farm where the hens lay eggs straight on to the pans, and the milk is pumped right on to the table from the cows. This blissful farm is disrupted when a city slicker arrives. Chaplin not only showcased his trademark mime but also put on a show with the farm animals.

2/9(FRI)7:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
10/9(SAT)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

快樂的一天 A Day's Pleasure

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Edna Purviance
1919 / 美國 USA / 黑白 BW / 25 分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

差利不再是流浪漢，而是四口之家的主人。趁假日全家出遊，怎知出行不利，先是座駕失靈，在遊船上大暈船浪，回程時則和交通警糾纏不清，總之是烏龍百出。此片是因拍攝長片《差利與小孩》超時而拍的填檔期作品，劇情比多數差利作品簡單，主要是讓他大展默劇的身手來製造笑料。
Chaplin is no longer the tramp but the head of a household, taking his family of four out on vacation. It gets to a flying start with the car breaking down, everyone getting seasick, ending with an entanglement with the traffic cop. This film was made during the production overruns of The Kid. As for all of Chaplin's shorts, the story is not the main thing, it is how he plays out the comedy with his miming act.

3/9(SAT)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
9/9(FRI)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
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老鼠愛漫遊

Rank: 9

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發表於 2011-9-20 13:09 | 只看該作者

差利•卓別靈 Charles Chaplin

本帖最後由 老鼠愛漫遊 於 2011-9-20 02:40 PM 編輯

差利與小孩 (港譯: 尋子遇仙記) The Kid

Director / Screenplay導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Jackie Coogan, Edna Purviance, Lita Grey
1921 / 美國 USA/ 黑白 BW / 60 分鐘 min / 35mm ( 默片，附音樂及英文插入字幕 Silent with music and English intertitles)

未婚媽媽忍痛拋棄初生嬰兒，陰差陽錯被流浪漢差利撿到。五年後，小孩與流浪漢相依為命，成為幫他睇水、搞破壞賺錢的小助手。小孩被人發現是孤兒，要把他送去孤兒院。流浪漢避過警察的追捕，把小孩搶回。這時小孩的生母已是有名的明星，她發現兒子的下落，出重賞要找回小孩。差利的第一部長片，上映時是全年票房亞軍。這部片的製作過程與差利婚變同步，而片中演小角色夢中仙女的演員麗塔•格蕾則在三年後成為差利的第二任妻子。演小孩的積奇•古根後來成為默片年代的知名童星，60年代更飾演大受歡迎美國片集《愛登士家庭》中的肥達叔叔。
A child born out of wedlock is picked up by the good-natured tramp; five years on, the kid has become the tramp's partner in crime, keeping a watchful eye while the tramp goes on his vandalizing acts all for making a dime. When the kid is found out to be an orphan, the authorities want to force his internment into the orphanage. But Chaplin puts on a daring rescue to get back the kid. The kid's birth mother has become a movie star and wants to give a reward to get back her child. This Chaplin's first feature became the runner-up at the box-office for the year. While the kid Jackie Coogan became a well-known child star of the Silent Era, Lita Grey who played a fairy in the dream sequence became Chaplin's second wife.

3/9(SAT)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
9/9(FRI)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

有閒階級 The Idle Class

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Edna Purviance, Mack Swain
1921 / 美國 USA / 黑白 BW/ 32 分鐘 min/ 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

差利一人分飾兩角，流浪漢和有錢人。有錢人因為沉迷酒精，正和妻子冷戰中，一個人住在渡假勝地的酒店中。流浪漢來到溫暖的渡假勝地，闖進酒店的化裝舞會，被有錢人的太太誤認做丈夫，引來憤怒的丈夫追打。顧名思義，這是一部對富人諸多諷剌的作品，這種強烈的貧富對比，會是之後差利長片中反覆出現的母題。
Chaplin plays both a prince and a pauper; as an alcoholic rich man who is locked in silent quarrel with his wife, now spending his days alone at a resort hotel; also as a tramp who stumbles by accident into the hotel's masquerade ball. The rich man's wife has mistaken the tramp to be her husband, leading to an outrage by the jealous rich husband. Chaplin's satire on the rich and the contrast between the rich and the poor continued to be a recurring theme in Chaplin's films.

4/9(SUN)7:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
18/9(SUN)8:00pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

朝聖者 The Pilgrim

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Edna Purviance, Kitty Bradbury
1923 / 美國  USA / 黑白 BW / 59 分鐘 min / 35mm ( 默片，附音樂及英文插入字幕 Silent with music and English intertitles)

差利由第一國家電影公司發行的最後一部電影。差利演一個逃出監獄的囚犯，他偷了一身牧師裝束，跑上一列火車。火車把他送到一個清教徒的社會，當地人誤以為差利是新來的牧師。差利開始了講道生涯，大受當地人歡迎之餘，更愛上了房東的女兒。可惜好景不長，他遇到了正要在這裏大撈一筆的獄中兄弟。
In Chaplin's last film with First National Pictures as distributor, he played a fugitive from the prison; he stole a pastor's outfit and steals his passage on a running train. The train takes him to a Puritan community and he is mistaken to be the new pastor. He starts to "preach" and slowly gains popularity among the locals while falling in love with the landlord's daughter. But his brothers from the prison have caught up with him and want Chaplin to help them with their secret agenda.

4/9(SUN)7:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
18/9(SUN)8:00pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

淘金記 (又名: 尋金熱)  The Gold Rush

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Georgia Hale, Mack Swain
1925 / 美國  USA / 黑白 BW / 72 分鐘 min / 35mm (英語旁白，中、英文字幕 English narration with Chinese & English subtitles)

流浪漢來到阿拉斯加淘金，被暴風雪困在木屋中，遇到斷糧的折磨。他碰到發現礦脈的淘金者和逃犯，後來兩人為爭奪黃金而打鬥，並和他失散。流浪漢獨自來到淘金的小鎮，愛上了跳舞女郎，又重遇失了憶的淘金者。這是差利為聯美影業公司製作的第二部長片，也是他最成功的作品之一，為默片喜劇史上票房中最高者，全部默片票房則排第五。片中如差利吃鞋、或是被當成火雞追殺等片段，都成為影史上的經典場面。於1992年被美國國會圖書館列入登記片目。
In pursuit of the dream of gold, the tramp has followed the gold rush to Alaska, stuck in a hut in the snowstorm. Fate brings him together with a fugitive and a pioneer who has struck gold. After a fight, the tramp has lost contact with the other two and continues on with his journey. He arrives at a town and falls for the dance hall girl; the pioneer is also there. But unfortunately he has lost his memory and cannot remember where the gold mine is. Chaplin and Fairbanks had founded United Artists to maintain independence in filmmaking in light of the big conglomerates. The Gold Rush was the Chaplin's second feature distributed by United Artists and also one of the biggest successes, with the fifth highest box-office gross of all silent movies. The scenes where Chaplin eats his boots and being mistaken as a turkey are all time classics.

30/9(FRI)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
8/10 (SAT)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive

大馬戲團 (又名: 沖出墮落城) The Circus

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Al Ernest Garcia, Merna Kennedy
1928 / 美國 USA / 黑白 BW / 71分鐘 min / 35mm ( 默片，附音樂及英文插入字幕 Silent with music and English intertitles)

流浪漢因被警察誤認為扒手，逃進馬戲團的演出中，結果成為全場注目的笑點。他被馬戲團班主收留，更愛上了班主的女兒。可惜他卻沒法成為真正的小丑，也得不到心上人的愛。當馬戲團轉向下一個地點時，他選擇了獨自離開。被視為差利夫子自道的《大馬戲團》上映剛剛碰上了聲片時代的開始，拍攝期間亦受到各方面問題困擾，但票房反應不俗，在全部默片票房中排第七位。在首屆奧斯卡金像獎中，本片獲四項提名，包括最佳電影、最佳喜劇導演、最佳男主角和最佳劇本，但主辦單位最後把本片剔出競賽，只給了差利一個榮譽獎。於1991年被美國國會圖書館列入登記片目。
The tramp is wrongly accused by the police as a pickpocket. He runs into the circus to take shelter, and turns out to be the comic relief of the troupe. The circus owner wants to keep him while he has fallen in love with his daughter. As he cannot become a real clown, he chooses to stay behind when the circus moves on to the next town. Though this self-reflective piece was made at the dawning of the sound film era, it still maintained a decent box-office and was nominated for four awards in the first Oscar ceremony, including Best Picture, Director (comedy), Actor and Screenplay; only to be disqualified and substituted with an honorary award for Chaplin.

1/10(SAT)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
15/10(SAT)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive

城市之光 City Lights

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh, Gordon Pollock
Cast 演員: Charlie Chaplin, Virginia Cherrill, Florence Lee
1931 / 美國  USA/ 黑白 BW/ 87分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English Intertitles)

流浪漢先後遇上失明賣花女與失意富翁，他救回酒醉自殺的富翁，但富翁「報恩」卻時冷時熱。另一邊廂，為了幫賣花女復明，流浪漢千方百計去找財路。一連串鬧笑錯摸，對富裕階級充滿挖苦，連結起來變成一部浪漫感人的故事。1931年，美國電影已經是有聲片天下，但差利依然堅持無聲的喜劇，而觀眾的反應也證明他是對的，《城市之光》成為差利最叫好叫座的作品之一。在1952年首次《視與影》雜誌世界十大電影選舉名列第二位。於1991年被美國國會圖書館列入登記片目之中。
The tramp meets a blind flower-selling girl and saves a rich man who is about to commit suicide. He tries to earn money to pay for the blind girl's surgery, and it turns out to be a somber farce on the materialistic world of the rich. Though talkies were already dominating the scene in 1931, Chaplin's insistence in shooting a silent paid off as the film became the year's number two in box-office. Other honours include being second in Sight and Sound's first Top Ten List in 1952 and listed in the Library of Congress' registry in 1991.

2/10(SUN)2:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
15/10(SAT)4:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
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老鼠愛漫遊

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發表於 2011-9-20 13:10 | 只看該作者

差利•卓別靈 Charles Chaplin

本帖最後由 老鼠愛漫遊 於 2011-9-20 02:54 PM 編輯

摩登時代 Modern Times

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Roland Totheroh, Gordon Pollock
Cast 演員: Charles Chaplin, Paulette Goddard, Henry Bergman
1936 / 美國  USA / 黑白 BW / 87 分鐘 min / 35mm (默片（部分英語對白），附音樂英文插入字幕 Silent (with spare English dialogue) with music and English intertitles)

流浪漢不再流浪，變成了生產線上的一粒螺絲釘。但生產線上的生活一點也不容易，手腳慢一點就鬧得笑話百出被開除。失業的流浪漢因為手拿紅旗走在示威工人前面，被視為共產黨投進獄中。原來獄中有食有住，讓他出了獄也想回去。幸有小孤女拉他一把，逃出監獄以及機械的世界。差利最初打算拍一部聲片，但最後《摩登時代》還是以配音默片示人，流浪漢依然沒有開口。除了最為人熟知的與機械齒輪博鬥的場面，這部電影還有大量罷工、示威的情節，差利毫不隱藏對工業文明和資本主義的懷疑和不滿。於1989年被美國國會圖書館列入登記片目。
The tramp has become a mere screw on the manufacturing line, but life continues to be hard. A slightly slow hand has got him fired, and a red handkerchief has got him into jail as a suspected left-wing unionist. Though he longs to return to jail where there is food, it takes a woman he loves to pull him out of the confinements of prison and machinery. Though intended to be a sound film, Modern Times was eventually made as a dubbed silent film. The film features the classic scene when Chaplin is struggling against the huge gears, and the many scenes of strikes and protests are Chaplin's silent protest against the industrial and capitalist society.

2/10(SUN)5:00pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
21/10(FRI)7:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive

大獨裁者 The Great Dictator

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Karl Struss, Roland Totheroh
Cast 演員: Charles Chaplin, Paulette Goddard, Jack Oakie
1940 / 美國  USA / 黑白 BW / 125分鐘 min / 35mm (英語對白，中、英文字幕 English with Chinese & English subtitles)

差利第一次開口講對白，不再是永遠的流浪漢。他一人分飾兩角，既是小小的猶太理髮師，因為在戰場上受傷在醫院昏睡了二十年；也是權傾天下的大獨裁者，一心要把世界在股掌間玩弄。首次拍攝有聲片，差利對於聲音和對白已經有成熟的處理，通通都可作為笑料的來源。直接諷剌希特拉與納粹德國的電影，開拍時間與第二次世界大戰爆發幾乎同步。最初不受英美兩國政府歡迎，上映前途未卜，後來又因政治宣傳的價值而被力捧，大收旺場。於1997年被美國國會圖書館列入登記片目。
When Chaplin finally got to talk on screen, he did it in two parts; as a Jewish barber awakens from a 20-year coma due to war injuries, and as the Great Dictator. Chaplin already has a mastery of sound and music to turn them into part of the comic elements. A direct satire on Hitler, the film was made in synch with the outbreak of the Second World War. The western world was initially hesitant about the film's release but it was later hailed as propaganda and became a hit movie.

2/10(SUN)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
22/10(SAT)2:00pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive

華度先生 (又名: 殺人狂時代)  Monsieur Verdoux

Director 導演: Charles Chaplin
Screenplay 編劇: Orson Welles (idea), Charles Chaplin
Cinematographer 攝影: Roland Totheroh
Cast 演員: Charles Chaplin, Martha Raye, Isobel Elsom
1947 / 美國 USA / 黑白 BW / 124分鐘 min / 35mm ( 英語對白，中、英文字幕 English with Chinese & English subtitles)

華度先生是失業的銀行職員，家中還有妻兒要供養，幸好他有賺錢的法門，專門找寂寞的富婆下手，來一個財色兼收，然後請她們喝一杯特製的美酒。差利第一次在電影中扮演邪魔角色，故事靈感來自真實的連環兇殺案，雖然以偵探片的包裝示人，但差利的一舉一動，還是一個由默片走過來的喜劇巨匠。《華度先生》獲該年的奧斯卡金像獎最佳原著劇本提名，編劇欄有兩個名字，一個是差利，另一個是意念提供的奧遜•威爾斯，這是不同時代的兩位電影巨匠唯一的合作。
Mr. Verdoux is an unemployed bank clerk who has to feed his family. But he makes his fortune by targeting lonesome wealthy women, and feeds them a potion in a glass of wine. The film was based on true crime stories. Chaplin played a villain for the first time, but he still did it like a comic from the silent film. Chaplin and his co-writer Orson Welles were nominated for an Oscar for Best Screenplay, the only collaboration for these two screen legends from two different eras.

9/10(SUN)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
22/10(SAT)5:00pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive

舞台春秋 Limelight

Director / Screenplay 導演/編劇: Charles Chaplin
Cinematographer 攝影: Karl Struss
Cast 演員: Charles Chaplin, Claire Bloom, Nigel Bruce, Buster Keaton
1952 / 美國 USA / 黑白 BW / 137分鐘 min / 35mm (英語對白，中、英文字幕 English with Chinese & English subtitles)

過氣小丑遇上了企圖自殺的年輕舞孃，救回她的生命之餘，還把她引進輝煌的星途。舞孃愛上了小丑，不顧年齡的差距要和小丑結婚。發現自己舞台光輝不再的他選擇了退出，在街頭酒館賣藝。差利回顧的自己的演藝生涯，故事發生在差利初登銀幕的1914年，背景則是他磨練喜劇才能的劇場世界。差利找來基頓演他的老拍擋，兩位喜劇巨匠一起演出最後的「天鵝之歌」，讓象徵意味更加濃厚。這是差利在美國拍攝的最後一部電影，上映不久就因為他被放逐而匆匆落畫。二十年後，本片在洛杉磯初次上映，結果為他贏得了一座奧斯卡最佳原創音樂獎，這是他唯一一座正式競賽得到的奧斯卡獎。
A clown of the past era saves a young dancer who attempts to commit suicide, and in turn reinitiates her into stardom. The girl has fallen for the clown and wants to marry him. But the clown decides to fade into the obscurity of street parlours. A semi-autobiographical film set in 1914, the year when Chaplin made his first film and set against the backdrop of theatre where he developed his comic acts. Keaton played his old partner for the symbolic performance of the last "Swan Song". The last film Chaplin shot in the US, which was cut short in its initial release due to his exile. It only premiered in Los Angeles 20 years later, bringing him an Oscar for Best Original Score, the only Oscar he won in a competition category.

16/10(SUN)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
23/10(SUN)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
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老鼠愛漫遊

Rank: 9

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1855 
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2145 小時 
4#
發表於 2011-9-20 13:10 | 只看該作者

巴士達•基頓 Buster Keaton

本帖最後由 老鼠愛漫遊 於 2011-9-20 03:48 PM 編輯

一星期 One Week

Director / Screenplay 導演/編劇: Edward F. Cline, Buster Keaton
Cinematographer 攝影: Elgin Lessley
Cast 演員: Buster Keaton, Sybil Seely, Joe Roberts
1920 / 美國 USA / 黑白 BW / 19 分鐘 min / 35mm (默片，英文插入字幕 Silent with English intertitles)

小夫妻新婚燕爾，收到夢寐以求大禮：DIY組件屋。以為從此可以安居，但情敵把組件編號調亂，房子變得奇形怪狀，比任何後現代建築更超現實！基頓自立門戶後公映的第一部作品。美國默片喜劇從此不再一樣，基頓的道具不是一件蛋糕，而是龐然巨物，並每每險象橫生又神乎其技地化險為夷。比成龍的功夫喜劇早了六十年。
A newlywed couple has received the gift of their dream: a DIY house. But the romantic rival has rearranged the parts numbers, resulting in a house beyond modernity! Keaton's first outing on his own and American comedies would never be the same again!

3/9(SAT)5:00pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
11/9(SUN)2:30pm 香港太空館演講廳 Lecture Hall, Hong Kong Space Museum

代罪羔羊 The Goat

Director / Screenplay 導演/編劇: Buster Keaton, Malcolm St. Clair
Cinematographer 攝影: Elgin Lessley
Cast 演員: Buster Keaton, Virginia Fox, Joe Roberts, Malcolm St. Clair
1921 / 美國 USA / 黑白 BW / 27分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

基頓行衰運，因瑣事被警察狂追，好不容易跳上火車，以為走甩，怎知一下車就發現自己被誤以為是剛逃獄的殺人犯。遇上心儀女子招呼他回家，不料其父親正是追捕他的警長，兩人展開一場電梯大追逐。本片有個廣為流傳，成為基頓標誌的鏡頭：火車由遠處駛來，直衝至鏡頭前面，車頭前坐著面無表情的基頓。火車，將是他最得心應手的大道具。
Starts off with Keaton being chased by the police. He hops on the train for a getaway, only to be mistaken as a newly released murder ex-con. Just when he thinks he has met his dream girl, only to realize her father is the cop who chases him! It features Keaton's trademark shot with his favourite piece of large prop, the train!

3/9(SAT)5:00pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
11/9(SUN)2:30pm 香港太空館演講廳 Lecture Hall, Hong Kong Space Museum

劇院 The Play House

Director / Screenplay 導演/編劇: Buster Keaton, Edward F. Cline
Cinematographer 攝影: Elgin Lessley
Cast 演員: Buster Keaton, Virginia Fox, Joe Roberts
1921 / 美國 USA/ 黑白 BW/ 22分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

基頓走在時代尖端之作：戲院裏，打雜、樂師、演員，到台下的男女老幼，都是基頓一人分飾。最驚人一刻有九個基頓同台搶咪！而台下演觀眾的基頓會風騷地說：「今晚場戲呢個基頓做哂啦。」更迷離的是，場騷只是南柯一夢，正本戲是基頓追孖女，鬧出連番錯摸笑話，還要扮馬騮做戲，更水淹戲院。劇院內種種蝦碌搞笑，完全是超現實、現代主義真假莫辯的先鋒話題。
Truly ahead of its times, the theatre's cleaner, musician, actor, audience are all played by Keaton himself, and Keaton the audience has the wit to comment: this show is all played by Keaton! But the real act is Keaton chasing a girl in a flooded theatre, a pioneering piece of work in surrealism and modernism!

3/9(六)5:00pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
11/9(日)2:30pm 香港太空館演講廳 Lecture Hall, Hong Kong Space Museum

小船 The Boat

Director / Screenplay 導演/編劇: Buster Keaton, Edward F. Cline
Cinematographer 攝影: Elgin Lessley
Cast 演員: Buster Keaton, Sybil Seely
1921 / 美國 USA / 黑白 BW / 25分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

基頓童心爆棚，愛玩大型玩具，《一星期》玩組合屋、《將軍號火車》就玩火車、在《小船》中顧名思義是玩艇，玩到最盡當然是反艇。話說基頓自製了一隻大船，準備一家大細遊船河，結果傾家蕩產，屋呀、車呀，都賠上了，還遇到狂雨暴風，船入滿水。三十多年後，基頓在訪問中提到，《小船》是他最喜歡的短片之一。
Keaton just loves toys; apart from the DIY house in One Week and the train in The General, this time is the boat. Keaton plans to build a boat for his family to cruise in, but it turns out to be the breaker of his fortune. Keaton has mentioned in an interview that The Boat was his favourite short film.

10/9(六)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
23/9(五)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

差人 Cops

Director / Screenplay 導演/編劇: Edward F. Cline, Buster Keaton
Cinematographer 攝影: Elgin Lessley
Cast 演員: Buster Keaton, Virginia Fox, Joe Roberts
1922 / 美國 USA / 黑白 BW / 18 分鐘 min / 35mm (默片，英文插入字幕 Silent with English intertitles)

警匪追逐電影示範作，基頓拉著一車傢俬闖進警察的遊行隊伍中，陰差陽錯把炸彈拋向警察，結果被全城差人追捕。整個畫面被警察擠滿，場面壯觀，而基頓飛簷走壁，大展雜技身手，更拍案叫絕。有索隱派認為本片是基頓對老拍擋「肥佬」艾賓高被指控強姦殺人的回應。無論他拍片的動機是什麼，《差人》都是基頓最精巧、最標誌性的短片作品之一。於1997年被美國國會圖書館列入登記片目之中。
A showpiece in the cop-chase subgenre; Keaton crashes into an army of cops while accidentally hurling a bomb into them, him ending up being chased by all the cops in town. The striking sequence of a whole scene filled with cops is definitely a Keaton signature.

10/9(六)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
23/9(五)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

三代（又名: 求婚三萬年）Three Ages

Director 導演: Buster Keaton, Edward F. Cline
Screenplay 編劇: Clyde Bruckman, Jean Havez, Joseph Mitchell
Cinematographer 攝影: Elgin Lessley
Cast 演員: Buster Keaton, Margaret Leahy, Wallace Beery
1923 / 美國 USA / 黑白 BW / 63 分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

太陽底下無新事，追女仔不外兩三度板斧，無論是史前石器、羅馬帝國抑或「咆哮二十年代」，男人要懂耍手段，才能獵得美人歸。於是基頓一人分飾三角，在三個不同年代，跟猛男靚仔有財有勢之士拗手瓜。基頓的首部長片，據說有意戲仿格里菲斯大作《黨同伐異》，其實是電影公司以防萬一的設計。早期默片靠一兩個gag搞笑，短片比較易處理，一拖長，就未必煞食。基頓之前的兩部短片十分成功，但長片還是啼聲初試，萬一失敗，還可拆成三部短片上映。
Nothing is new under the sun; whether it is the Stone Age, the Roman Empire Era, or the Roaring Twenties, getting the girl is always the same tiresome business. Keaton plays three roles set in the above three different eras, beating some suave and powerful rivalries to try to get the girl. Some said the three-segment set-up in Keaton's first feature was inspired by Griffith's Intolerance, more likely it was a marketing ploy; in case the feature was a flop, they could still sell it as three shorts.

10/9(六)5:00pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
17/9(六)7:30pm 香港太空館演講廳 Lecture Hall, Hong Kong Space Museum
附件: 您需要登錄才可以下載或查看附件。沒有帳號？註冊

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老鼠愛漫遊

Rank: 9

帖子
1855 
在線時間
2145 小時 
5#
發表於 2011-9-20 13:11 | 只看該作者

巴士達•基頓 Buster Keaton

本帖最後由 老鼠愛漫遊 於 2011-9-20 04:19 PM 編輯

待客之道 Our Hospitality

Director 導演: Buster Keaton, Jack Blystone
Screenplay 編劇: Clyde Bruckman, Jean Havez, Joseph Mitchell
Cinematographer 攝影: Gordon Jennings, Elgin Lessley
Cast 演員: Buster Keaton, Natalie Talmadge, Joe Roberts, Ralph Bushman, Craig Ward
1923 / 美國 USA / 黑白 BW/ 73 分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

《三代》收得，基頓就放心玩長片。住在紐約的基頓要去南方處理老家房產，出發前才知上一代恩怨，鄰家仇人肯定找他尋仇。他想方設法趨吉避凶，但避不過桃花劫，在火車上遇到的心儀俏女郎正是仇家之女，基頓就此送羊入虎口。基頓把時代設在十九世紀初，特別製造了仿古列車，設計搞笑鐵道之旅，火車與鐵軌才是主角。片中演仇人之女的妮妲莉•譚瑪治是基頓第一任太太，亦是老闆約瑟•辛克的小姨子，加上兩人的兒子和基頓父親一同演出，一家人演一家恩怨事，真是別有用心。
The success of Three Ages gave Keaton the confidence to do the next feature. A New Yorker is heading to the South to take care of some family business, only to realize that he is the target of vengeance of some previous generation's deeds. To complicate matters, he falls for the enemy's daughter on the train. This 19th century set railroad comedy is played out by Keaton's first wife Natalie Talmadge, who is also the boss Joseph Schenck's sister in law, Keaton's two sons are also in it, making it a true “family business”.

11/9(SUN)5:00pm 香港太空館演講廳 Lecture Hall, Hong Kong Space Museum
17/9(SAT)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive

小福爾摩斯 Sherlock Jr.

Director 導演: Buster Keaton
Screenplay 編劇: Clyde Bruckman, Jean Havez, Joseph Mitchell
Cinematographer 攝影: Byron Houck, Elgin Lessley
Cast 演員: Buster Keaton, Kathryn McGuire, Joe Keaton
1924 / 美國 USA / 黑白 BW/ 45分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

可能是基頓電影中最鬼斧神工一部，動作場景連接得天衣無縫，連高克多都要拜下風。「戲裏」「戲外」真假互動，是上世紀現代主義的電影觀念，基頓真是先鋒。電影放映師看得多偵探片，一心想做福爾摩斯，怎知撞板多過食飯，心儀女子誤會他是小偷，失意的他在放映時睡著，在夢中走進電影之中，化身小福爾摩斯，破了案，又奪得美人歸。影片試映時反應不佳，時移世易，今日卻被列為經典傑作。於1991年列入美國國會圖書館登記片目。
A true classic by Keaton, with smoothly choreographed action sequence that even Cocteau admired; the interaction between the narrative and outside the narrative was a pioneer in 20th century modernism. A projectionist dreams to be the great Sherlock Holmes. He falls asleep during the movie, becomes the detective in his dream, solves the crime and wins the girl. However, this classic was not well received in its days.

10/9(SAT)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
23/9(FRI)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

航海家 The Navigator

Director 導演: Buster Keaton, Donald Crisp
Screenplay 編劇: Clyde Bruckman, Jean Havez, Joseph Mitchell
Cinematographer 攝影: Byron Houck, Elgin Lessley
Cast 演員: Buster Keaton, Kathryn McGuire, Frederick Vroom
1924 / 美國 USA / 黑白 BW / 59 分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

大自然困境是基頓拿手劇情，今次面對大海挑戰，要駕馭的不再是自製家居小艇，而是排水量數千噸的郵輪。富二代心血來潮向富家女求婚，被拒絕也不改變到夏威夷渡蜜月的計劃。怎知富家女也上了船，而郵輪被人破壞，在太平洋上漂流，兩個從來不用照顧自己的人，在船上學會如何獨立生活。片中有基頓電影中出現過最大的道具，一艘近萬噸的輪船，讓人與機器對抗的母題發揮到極致。他的潛水衣打扮和下水特技場面，當時都是令人耳目一新的高科技，卻幾乎要了基頓條命。
Keaton is often seen put to challenge by nature's forces, this time the ocean and huge machineries. Playing a rich kid on a 10,000 tonne ocean liner, his proposal to another rich girl is rejected, but they still go on to their Hawaiian honeymoon. After the ship has been sabotaged, it drifts afloat in the Pacific and these two people start to learn about caring for each other. Not only it features the largest of all Keaton's film's prop, an ocean liner, he can also be seen in his underwater suit that almost took his life!

18/9(日)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
24/9(六)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

七個機會（又名: 尋夫良機）Seven Chances

Director 導演: Buster Keaton
Screenplay 編劇: Clyde Bruckman, Jean Havez, Joseph Mitchell
Original 原著: David Belasco, Roi Cooper Megrue
Cinematographer 攝影: Byron Houck, Elgin Lessley
Cast 演員: Buster Keaton, Ruth Dwyer, T. Roy Barnes
1925 / 美國 USA / 黑白 BW / 56 分鐘 min/ 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

基頓扮演面臨破產的生意人，袓父臨終遺下七百萬美元遺產可以解救他，條件是要他在二十七歲生日的七點前結婚。今天就是他二十七歲生日，新娘在哪裏呢？改編自舞台劇，這個找新娘的故事被多次搬上銀幕，但依然是基頓這個電影版本最廣為人知。最後的一場大追逐，可能是影史上最驚人的追逐場面。而他跑下山，避過眾多滾石的場面，更把他的特技人身手展現無遺。本片亦是彩色片的實驗之一，片頭字幕和開場採用了早期的特麗彩色菲林拍攝。
Just when he thinks he's going to go bankrupt, Keaton's grandfather has left him an inheritance of $7 million, but he has to get married by 7pm on his 27th birthday. But there is one problem: he is already 27 today! Adapted from a stage play, and been put on the screen numerous times, but none could match the popularity of this version by Keaton. The finale chase scene where Keaton has to dodge the rolling stones from the hill has established him as a great stuntman. It also contains an early experiment with Technicolor when the opening credits and the scene were shot on colour.

11/9(日)7:30pm 香港太空館演講廳 Lecture Hall, Hong Kong Space Museum
18/9(日)4:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive

將軍號火車 The General

Director/Screenplay 導演/編劇: Clyde Bruckman, Buster Keaton
Original 原著: The Great Locomotive Chase by William Pittenger
Cinematographer 攝影: Bert Haines, Devereaux Jennings
Cast 演員: Buster Keaton, Marion Mack, Glen Cavender
1926 / 美國 / 黑白 / 75 分鐘 / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

基頓拿南北內戰做題材，似乎有意直追格里菲斯的史詩《國家的誕生》，更想力拚差利早一年完成的《淘金記》。火車司機參軍不成，給女友誤為懦夫，心灰意冷之時，火車還給敵軍偷走。大丈夫化悲憤為力量，使出超人本領，追火車，一直追入敵營，不但把火車追回，還把敵軍全部俘虜，重獲美人芳心。當年上映未得觀眾歡心，更因場面浩大，所費不菲，基頓的事業亦開始走下坡。本片至今仍被視為傑作，兩度位列《視與聽》雜誌的世界十大電影榜，與《大國民》等片並列殿堂級電影之列。
This Civil War comedy is setting its scale to Griffith's The Birth of A Nation, and trying to match Chaplin's The Gold Rush which was completed one year before. A train driver was not admitted to the force and his girlfriend mistakes him as a coward, even his train got stolen by the enemies. He decides to turn things round, recovers his train, captures the enemies and gets the girl back. The film was not well received and its huge budget caused a downturn in Keaton's career. But it is now considered to be a classic and has got into Sight & Sound's Top Ten List twice, in the league of Citizen Kane.

1/10(六)2:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
9/10(日)2:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive

船王之子 Steamboat Bill, Jr.

Director 導演: Charles Reisner, Buster Keaton
Screenplay 編劇: Carl Harbaugh
Cinematographer 攝影: Bert Haines, Devereaux Jennings
Cast 演員: Buster Keaton, Ernest Torrence, Marion Byron
1928 / 美國 USA / 黑白 BW / 70 分鐘 min / 35mm (默片，附音樂及英文插入字幕 Silent with music and English intertitles)

成長需要磨鍊。大學畢業的小標，是公子哥兒，父親卻是河邊小鎮地道草根的蒸氣船船長，要承父業，自然要經歷魔鬼訓練。小標使盡渾身解數，最後甚至與大自然巨風搏命，不但博得父親歡心，還贏得美人歸。基頓最後一部獨立製作的電影，與《將軍號火車》並視為畢生力作，最膾炙人口一場，是房屋在他身後倒塌過來，眼見避無可避，他卻正好站在房屋的窗口位，逃過一劫。成龍在《A計劃續集》中就親身示範了這一幕。
College graduate Bill Jr. is a spoiled kid, but his father aims to groom him to take over his small town steamboat company. The tough training not only turns him into a man but also wins the heart of the beauty. This last independent film by Keaton is considered another classic with The General, featuring the famous stunt when Keaton stood underneath a falling wall, only to be looped by the empty window frame. A scene re-enacted by Jackie Chan in Project A II.

1/10(六)5:00pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum
14/10(五)7:30pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
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老鼠愛漫遊

Rank: 9

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發表於 2011-9-20 14:29 | 只看該作者

神經六（夏勞•哀） Harold Lloyd

本帖最後由 老鼠愛漫遊 於 2011-9-20 04:47 PM 編輯

平安是福 Safety Last!

Director 導演: Fred C. Newmeyer, Sam Taylor
Screenplay 編劇: Hal Roach, Sam Taylor, Tim Whelan
Cinematographer 攝影: Walter Lundin
Cast 演員: Harold Lloyd, Mildred Davis, Bill Strother
1923 / 美國 USA / 黑白 BW / 70分鐘 min / 35mm (資料館 Film Archive) / beta (科學館 Science Museum)
(默片，附音樂及英文插入字幕 Silent with music and English intertitles)

神經六鄉下仔出城，來到大城市找工作，結果在百貨公司做了個小售貨員。鄉下的女朋友以為他事業成功，上門來找他結婚。當他知道百貨公司出重賞吸引人流，他和做建築的同屋合作，叫他爬上百貨公司所在的大樓吸引人潮。但陰差陽錯之下，變成了神經六自己表演。神經六最為人熟知的作品，在大鐘指針上半天吊的場面最為經典，成龍在《A計劃》中也有類似場面。
A nutty country bumpkin came to the big city for a better living and landed with a sales clerk job at a department store. But his girlfriend thought he has made it already and proposes to get married. When the store offers a reward for attracting a crowd, his architect friend asks to climb up to the roof, what turns out was the greatest stunt in the silent movies with Lloyd hanging on the clock! A similar scene appears in Jackie Chan's Project A.

17/9(六)5:00pm 香港電影資料館電影院 Cinema, Hong Kong Film Archive
25/9(日)7:30pm 香港科學館演講廳 Lecture Hall, Hong Kong Science Museum

放映時間表

片名日期時間地點
狗的一生 + 從軍記 + 光明面2/9 (五)19:30香港電影資料館電影院
快樂的一天 + 差利與小孩3/9 (六)14:30香港電影資料館電影院
一星期 + 代罪羔羊 + 劇院17:00香港電影資料館電影院
有閒階級 + 朝聖者4/9 (日)19:30香港電影資料館電影院
快樂的一天 + 差利與小孩9/9 (五)19:30香港科學館演講廳
小船 + 差人 + 小福爾摩斯10/9 (六)14:30香港電影資料館電影院
三代17:00香港電影資料館電影院
狗的一生 + 從軍記 + 光明面19:30香港科學館演講廳
一星期 + 代罪羔羊 + 劇院11/9 (日)14:30香港太空館演講廳
待客之道17:00香港太空館演講廳
七個機會19:30香港太空館演講廳
待客之道17/9 (六)14:30香港電影資料館電影院
平安是福17:00香港電影資料館電影院
三代19:30香港太空館演講廳
航海家18/9 (日)14:30香港電影資料館電影院
七個機會16:30香港電影資料館電影院
有閒階級 + 朝聖者20:00香港科學館演講廳
小船 + 差人 + 小福爾摩斯23/9 (五)19:30香港科學館演講廳
航海家24/9 (六)19:30香港科學館演講廳
平安是福25/9 (日)19:30香港科學館演講廳
淘金記30/9 (五)19:30香港科學館演講廳
將軍號火車1/10 (六)14:30香港科學館演講廳
船王之子17:00香港科學館演講廳
大馬戲團19:30香港科學館演講廳
城市之光2/10 (日)14:30香港科學館演講廳
摩登時代17:00香港科學館演講廳
大獨裁者19:30香港科學館演講廳
淘金記8/10 (六)14:30香港電影資料館電影院
將軍號火車9/10 (日)14:30香港電影資料館電影院
華度先生19:30香港科學館演講廳
船王之子14/10 (五)19:30香港電影資料館電影院
大馬戲團15/10 (六)14:30香港電影資料館電影院
城市之光16:30香港電影資料館電影院
舞台春秋16/10 (日)19:30香港科學館演講廳
摩登時代21/10 (五)19:30香港電影資料館電影院
大獨裁者22/10 (六)14:00香港電影資料館電影院
華度先生17:00香港電影資料館電影院
舞台春秋23/10 (日)14:30香港電影資料館電影院
附件: 您需要登錄才可以下載或查看附件。沒有帳號？註冊

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AMD

Rank: 9

帖子
11668 
在線時間
4498 小時 
7#
發表於 2011-9-21 00:18 | 只看該作者
很經典的黑白照...
有興趣打羽毛球可找我

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